
Ensuring that DanceAfrica 2025 is a sensation engaging all artistic disciplines and engulfing all of our senses, our programming partners at The Museum of Contemporary African Diasporan Arts (MoCADA) showcase “At the Breast, At the Motherhood (the place where your mother originates),” a 2022 painting by Cassi Namoda, an internationally renowned Mozambique-born artist.
In this horizontal painting, Cassi Namoda revisits the art historical canon—the classic theme of the bathers—especially the one of impressionists, like Degas and Bonnard. Here the composition is inspired by a photograph of a tribe in Swaziland, where young women bathe naked as part of a prenuptial ritual.
This painting depicts African women caring for each other in a sisterly way, while their different body positions (rather than their facial expressions) express various feelings and sensations, discomfort.
A severed head looms over the composition, lightly drawn as if exuding from the sky, and echoing a headless torso on the opposite side. The abstract, vibrant background completes the impression of a magical realism.
The body language expresses the ancestral traditions and the need for filiation, as well as the ongoing cultural and physical ruptures with the motherland.—Axelle Blanc, Associate Director, · Xavier Hufkens
In this horizontal painting, Cassi Namoda revisits the art historical canon—the classic theme of the bathers—especially the one of impressionists, like Degas and Bonnard. Here the composition is inspired by a photograph of a tribe in Swaziland, where young women bathe naked as part of a prenuptial ritual.
This painting depicts African women caring for each other in a sisterly way, while their different body positions (rather than their facial expressions) express various feelings and sensations, discomfort.
A severed head looms over the composition, lightly drawn as if exuding from the sky, and echoing a headless torso on the opposite side. The abstract, vibrant background completes the impression of a magical realism.
The body language expresses the ancestral traditions and the need for filiation, as well as the ongoing cultural and physical ruptures with the motherland.—Axelle Blanc, Associate Director, · Xavier Hufkens
UPCOMING Performances
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All performances will adhere to protocols developed in accordance with New York State regulations and in consultation with medical professionals for the safety of our artists, audiences, and staff.
Leadership support for
BAM’s strategic initiatives provided by:
Leadership support for
BAM Access Programs provided by
the Jerome L. Greene Foundation
Leadership support for
BAM programming provided by:
Leadership support for
BAM’s strategic initiatives provided by:
Leadership support for
BAM Visual Art provided by
Toby Devan Lewis (in memoriam)
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Cassi NamodaCassi Namoda, born in 1988 in Maputo, Mozambique, explores the history and culture of post-colonial Africa, especially the exchange between vernacular traditions and Portuguese colonialism in the Lusophone continent, in her work.
Namoda’s syncretic paintings are woven from a capacious symbolic language: she references global mythologies, indigenous folk art, European painting traditions, colonial power systems and more in her dreamlike narratives and sensual landscapes. Characters and motifs (conjoined twins, fierce suns) recur within these intimate tableaux, often bolstered by references to literary, cinematic and architectural aesthetics. Washed colors, bold compositions and flat perspective further the paintings’ aura of magical realism. The result is often a sense of romance and saudade injected into modernity and the art historical canon.
Namoda’s work is collected by several important museums, including The Pérez Art Museum in Miami, The Studio Museum in Harlem, Jumex in Mexico City, and X Museum in Beijing. She has held solo exhibitions at a number of notable galleries, including Xavier Hufkens and Goodman Gallery. Namoda has lived in Kenya, Uganda, Benin, Haiti, Indonesia, the Dominican Republic, and the United States, and currently divides her time between New York and Italy. -
MoCADAThe Museum of Contemporary African Diasporan Arts (MoCADA) celebrates the cultural breadth of Africa and its diaspora via the production and presentation of visual, literary, and performing arts, and uses art, education, and advocacy as vehicles for social change. More than a museum, MoCADA is a community bridge, advocating for equity and access for underserved residents in every sector, and an arts incubator that has given a platform to over 100 artists from 20+ countries across the African diaspora.
EXPLORE DANCEAFRICA
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Community
DanceAfrica Bazaar 2025
May 24—May 26, 2025
DanceAfrica Bazaar 2025
May 24—May 26, 2025DanceAfrica’s beloved bazaar returns, transforming the streets around BAM into a global marketplace with more than 150 vendors offering African, Caribbean, and African-American food, crafts, and fashion. -
Dance
DanceAfrica Performance
May 23—May 26, 2025
DanceAfrica Performance
May 23—May 26, 2025Enchanting Brooklyn for the 48th year, DanceAfrica 2025 culminates in an extraordinary dance and music performance celebrating the culture of Mozambique.