Crucial documentations of labor organizers in and around Detroit auto factories during the late 60s and riots in 80s Britain offer vital insights into Black struggle.
Black Girl
Directed by Ousmane Sembène (1966)
59min, DCP
With Mbissine Thérèse Diop, Anne-Marie Jelinek, Robert Fontaine, Nar Sene, Ibrahima Boy, Bernard Delbard, Nicole Donati, Raymond Lemeri, Suzanne Lemeri.
In French with English subtitles
Ousmane Sembène, the Pan-African Marxist and towering pioneer of African Cinema, made his feature debut in 1966 with the brilliant and stirring Black Girl (La noire de…). The Senegalese Sembène, who was also a writer and former militant trade unionist, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white couple, and finds that life in their small apartment becomes a figurative and literal prison—into a complex, layered critique on the ongoing racialized economic hierarchy and dynamics of the supposedly postcolonial world. Held together by a powerfully moving central performance by Mbissine Thérèse Diop, Black Girl is a harrowing, intimate drama as well as a radical political statement—and one of the most important films of the 60s.
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I Am Somebody
Directed by Madeline Anderson (1970)
28min, DCP
In 1969, Black women hospital workers in Charleston, SC, went on strike for union recognition and a wage increase, only to find themselves in a confrontation with the state government and the National Guard. Featuring Andrew Young, Charles Abernathy, and Coretta Scott King and produced by Local 1199, New York’s Drug and Hospital Union, I Am Somebody is a crucial document in the struggle for labor rights.
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